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SOCAN at Phoque Off 2025: tools, education, interview with Félix Petit
SOCAN Academy
SOCAN at Phoque Off 2025: tools, education, interview with Félix Petit
Video: Petit’s advice for fruitful collaboration
Building a career in France: challenges, sacrifices, dreams, reality
The export strategies of Klô Pelgag, Fredz, Aliocha, Patric...
MétaMusique 1.0: an innovative tool to facilitate referencing and discoverability
The goal: optimizing the management of music metadata
Video – Top Secrets: “Fake Friends” by Billie du Page, BAYLA, lucatheproducer
Her first-ever single goes straight to No. 1!
SOCAN Academy: How SOCAN ensures that music creators get paid
With Cameron Kennedy, SOCAN Vice President, Creative and Mem...
SOCAN Academy: How SOCAN is addressing Artificial Intelligence (AI)
With Fraser Turnbull, SOCAN Legal Counsel
SOCAN Academy: What SOCAN needs from members to collect international royalties
With Catharine Saxberg, SOCAN Vice President, International ...
SOCAN Academy: How to maximize your royalties through reproduction rights
With Nicole Pratt, SOCAN Vice President, Reproduction Rights...
SOCAN Academy: How to complete and submit cue sheets
With Leslie Craig, SOCAN Vice President of Royalty Services
SOCAN Academy: How to get paid royalties for live performances
With Kit Wheeler, SOCAN Vice President, Royalty Collections
How to submit unidentified works/cues in screen productions with SOCAN
Now you can search, view, and claim them
How to submit a CSV list “bulk link request” with SOCAN
A feature designed for use by music publishers
Video: Top Secrets – “Printemps” by Koriass
Star rapper tells us about writing his first No. 1 at radio
How to sign up for audiovisual post-synchronization rights with SOCAN
For songs and compositions used in film, television
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